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| Shizuoka City Serizawa Keisuke Art Museum |
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Shizuoka
City Serizawa Keisuke Art Museum was established to house the works and personal
collection of Serizawa Keisuke, a prominent leading dyeing artist in Japan.
These were donated by Serizawa himself to his hometown, Shizuoka City. Since
opening in June 1981, we have continued collecting, preserving and researching
Serizawa's works. And by conducting various exhibitions about him, we offer
information about his art in order to preserve his works for future generations.
As an art museum of a unique dyeing artist, it attracts many fans from inside
and outside Japan.
The
building, which was designed by the architect Shirai Seiichi (1905-1983), is
also admired by visitors. It is located in Toro Park, famous for the ancient
remains from the Yayoi Period (about 200 B.C. to 200 A.D.). Shirai constructed
the building chiefly with stone, wood and water to harmonize it with its
surroundings and make it a comfortable place to view Serizawa's works.
This art museum
now holds about 800 pieces of Serizawa's work and about 4500 pieces of his folk
art collection. These materials are exhibited in our art museum by rotating
exhibitions three times a year.
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Museum Entrance

Exterior of the Museum

C Exhibit
Hall
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Serizawa Keisuke was born on May 13, 1895
in Shizuoka City, the second son of a draper, Oishi Kakujiro. After graduating
from Shizuoka Middle School, he entered Tokyo Higher Technical School (presently
Tokyo Institute of Technology) and studied design. After graduation, he returned
to Shizuoka. At the age of 22, in 1917, he married Serizawa Tayo and changed his
family name to Serizawa.
He
taught industrial design at the Shizuoka Technical Laboratory and Shizuoka
Industrial High School. But two factors made him decide to become a dyeing
artist. First, he discovered the existence of the craft in an essay by Yanagi
Muneyoshi, the leader of the “Mingei Movement” and who later taught Serizawa
throughout his life. The second factor was the chance to see the characteristic
“Bingata” dyeing technique from the Okinawa District, Where he was deeply
attracted by its beauty.
In 1929, he sent his first work “Shakushinamon
Kabekake”(wall drape) to the Kokugakai Exhibition and won the Kokugakai Prize.
He was also admitted as a member of this group for his remarkable creative
activity. In 1934, he and his family moved to Kamata, Tokyo, at the suggestion
of Yanagi and he began dyeing full-time.
He went several times to Okinawa after 1939 to
study “Bingata.” He improved on Bingata and other dyeing techniques by using
“Katagami (stencil paper).” His new technique was called “Kataezome.” He sent
many his “Kataezome” works throughout the world.
Late in his life he won great popularity with the
many personal exhibitions held in Japan and abroad. The 1976 exhibition
“Serizawa” at the Grand Palais in Paris firmly established his fame above
all.
He received several honors during his lifetime. They
include:
● Designation as a“Living National Treasure”in 1956
● The Purple
Ribbon Medal in 1966
● Designation as an “Honorary Citizen of Shizuoka
City”in 1967
● The Fourth Order of the Sacred Treasure from the Japanese
government in 1970
● Designation as a “Person of Cultural Merit”in 1976
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The “Contributor to the Arts”Award from the French government in 1983
Serizawa Keisuke died at the age of 88 on April 5, 1984.
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Serizawa Keisuke (Age 71)

Serizawa Keisuke (Age
85)
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Serizawa Keisuke (1895-1984) was
acknowledged as a "Living National Treasure" in 1956 for his stencil dyeing
technique called "Kataezome." This is a technique that uses stencils (katagami)
to dye the original artistic patterns on cloth material or Japanese
paper.
This word was created by the Agency for
Cultural Affairs to express Serizawa Keisuke's style when the late artist
received the title of "Living national Treasure." His creations cover a large
range of works: Kimono, Obi (sash), Noren (door way curtains), Kabekake (wall
drapes), and Byobu (folding screens). All were designed using the Kataezome
technique; improving various Japanese traditional stencil dyeing crafts, in
particular Bingata in the Okinawa District. He is the first man to try dyeing
not only cloth but also Japanese paper. His success widened the scope of dyeing
to beyond that of just cloth.
In his bold
descriptive style and construction of patterns, Serizawa uses motifs such as
plants, animals, domestic wares, people, landscapes, and characters, as well as
bright and lively color tones. Along with these traits, there is a warm feeling
that runs throughout all of his works. His prominent works are not limited to
dyeing and can also be found in other creations: books, thick curtains, stained
glass, furniture, glass paintings, and calligraphy.
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The art critic Yanagi Muneyoshi
(1889-1961) discovered the beauty of handicrafts made by unknown craftsmen and
began the “Mingei (folk craft) Movement” to introduce it to the public. Serizawa
Keisuke, who shared the same ideal, always made a point to collect folk craft at
home as well as abroad. He was attracted by their vivid beauty born out of daily
life. Moreover, it became an inspiration for his own creations.
This collection includes such items as textiles,
folk-paintings, pottery, lacquer ware, books, furniture, toys, masks, and
woodwork. They are very interesting as folk material. But if we observe these
works bearing in mind that they influenced the creative momentum of the artist,
we can find a unique sense of beauty in their selection and insight into the
artist's world.
This collection is called the
“Serizawa Collection.” Most of the approximately 4,500 piece collection is
preserved and exhibited in our art museum.
 Six-fold screen; Tagasode (17c.
Japan)
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 Miharu doll
(19c. Japan)
 Maiwai
- Kimono of fishermen (19c. Japan) |
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